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فرمت فایل: ورد (Word)

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تعداد صفحات : 8 صفحه

Norman Foster - Architect Few contemporary architects could be described as household names, but then few architects have had such long and prolific careers, or have put their name to so many high-profile building projects, as Norman Foster.
Norman Robert Foster was born in Manchester in June 1935, and grew up in the working class neighbourhood of Levenshulme.
He was naturally gifted and performed well at school.
At the same time he took an interest in architecture, particularly in the works of Frank Lloyd Wright (1867 - 1959) and the Modernist master Le Corbusier1.
He considered a career in architecture from an early age, but National Service and a number of rather mundane day jobs intervened.
While working in the contracts department of a small Manchester-based firm of architects (John Beardshaw & Partners), however, his sketching talents were spotted, and he soon moved into the drawing department.
Foster did not need much more encouragement than that.
At 21 years of age he began his architectural studies at Manchester University.
Lacking in neither the attitude nor the aptitude to succeed, he won practically every prize and scholarship available.
A number of these enabled him to visit Europe and take in its architecture, including the works of Jørn Utzon (the Danish-born architect and designer of the Sydney Opera House) and Le Corbusier.
Foster's academic successes at Manchester won him a Henry Fellowship to pursue graduate studies at Yale University, USA.
There he met Richard Rogers and they began a life-long friendship.
After graduating from Yale, Foster travelled throughout the United States for a year, and returned to England in 1962.
He began professional practice, forming Team 4 with Richard Rogers and Wendy and Georgie Cheesman, two sisters who were also Yale alumni.
Richard Rogers' first wife Su was also a member of the team.
Wendy Cheesman later became Foster's first wife2.
Professional Practice Team 4's output began with a number of small and ecologically concerned residential projects, but it was the 30,000 sq ft Reliance Controls factory (Swindon, UK, 1965-66) which made their name.
This was essentially just a large steel shell containing a vast amount of flexible space.
Yet it was a turning-point: the earliest example of the use of lightweight construction and industrial components, the so-called 'High Tech Architecture' which would form the basis of both Foster's and Rogers' work, and that of a great many of their peers, over the coming decades.
In 1967 the members of Team 4 went their separate ways.
Richard Rogers went on to collaborate with Renzo Piano on the Centre Pompidou in Paris, and Norman and Wendy

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